Monday, June 27, 2011

Murder Metal


 Macabre is to me another incredibly underrated band, just like Cryptic Slaughter. I hear their influence in many, many bands (even if it's not really there sometimes) and feel it's criminal how overlooked they get. Macabre have been weaving tales of about serial killers and mass murderers for upwards of fifteen years and have never had a line up change, but somehow people still overlook these modern metal geniuses. After many splits and LPs (including with PV's prodigal sons, Capitalist Casualties) this is quite a feat, especially in such a trying musical venue such as metal. Countless hours touring and crafting insidious tunes have garnered tremendous respect for this band from me. And to me their milestone has to the be "Dahmer" LP.
 Most Macabre albums focus on one person per song, but the "Dahmer" album is solely about the life of Jeffry Dahmer. The album is arranged in chronological order to tell a full story, from childhood to his death in prison at the hands of Christopher Scarver(who gets his own song). It's 26 songs in just under fifty-two minutes, in true grind fashion. Most songs are mid-paced metal jams(ungrind) though some kick up the speed notch. When not playing fast(most of the time) Macabre is just grooving out making your foot tap or head bang. There are a few sludge moments to change pace, but I'm not a big fan of slowing down and usually skip those couple songs. A night with some Yeti imperial stout and this record will give you a serious bangover. Something I think that's fun is how the band utilizes some traditional songs(folk and otherwise) to craft songs. "In the Army Now", "Grandmother's House", "Jeffry Dahmer and the Chocolate Factory", "Coming to Chicago" and "Scrub A Dub Dub" are all takes on traditional songs you will recognize, but made to fit with the Macabre murder metal motif. My personal favourites are "Blood Bank", "McDahmers" and "Do the Dahmer", with "Hitchhiker" as a secondary choice. "Hitchhiker" just has a fucking huge and heavy riff in it. Just TRY to not bang your head against a brick wall from the heaviness. A sludgey song I can get behind!

Odd fact: Producer Neil Kernon, who's worked with Cannibal Corpse and Nile amongst other death metal bands made himself rich and popular by engineering and producing the first three Hall & Oats albums. 

"Everybody do the Dahmer!"

Thursday, June 9, 2011

5,000 BPMs

So in my trying to put something awesome up for getting a small milestone I contemplated a band that used 5K BPMs. Now, this is physically impossible by the human body. Dave Witte can only do 1,000 and I think the most I've seen on Youtube is like eleven or twelve hundred, and that's two handed snare rolls the whole time, not using the rest of the kit. The closest thing I can think of is NOISM. Grindy metal played at inhuman speeds by two Japanese dudes with a guitar, computer, and drum machine.
I downloaded this demo(album?) from Cephalochromoscope a couple years ago and bust it out every now and again when I want to just be floored by what music can do. Truly complex, truly technical and truly fucking fast. There is some noodly wankery here, of course, but I like that every now and then. Like I said, I want to be floored not feeling indifferent. Bands like Brain Drill and Discordance Axis push the boundries of human made music, NOISM pushes all the rest.
They list Candiria as a point of inspiration. Didn't see that one coming did you?

Brutal Autonomy

Wednesday, June 1, 2011

Five Thousand Strong...And Growing

So today is kind of a milestone for me. I hit 5,000 unique views a few minutes ago. It's been under three full years of "writing" for me, about two and a half to be almost concise. Considering there are blogs that get 5K views every day, I feel pretty awesome. I'm by no means a pro, or even "good" at this. I've always had a good grasp on the English language (minus my bad spelling) but wasn't a big fan of writing in school. I didn't usually have the impetus to write about things I liked, like music. This blog was that impetus. I've really enjoyed meeting lots of you guys in the GrindBlog community we've established. I've made friends, made Jon Chang hate me and joined a much bigger blog that may set me up for internet stardom. I wonder what will happen in the next 5K views.
 I want to do something special for this, I just don't know what yet. Expect something awesome!
 Thanks again everyone. I'm real stoked.

No Cream, No Sugar! Bong Rips? Please!

I'm out of cannabis so my only drug right now is black coffee. It only seems appropriate right now to post this song by Black Flag and read. I've read a few excerpts from some Henry Rollins books and he makes mention more then one time about doing exactly what he says in the songs. A story that sticks out in my mind is him sitting in a hotel lobby enjoying the free breakfast at a crazy time of the morning in Austria I believe. His tour stories are quite good.
 This version is from their 1982 demo right after Hank joined the band. I actually downloaded this demo from the SST blog, which I've since lost the link for. There are a lot of songs on here that end up on recordings years later. "Modern Man", "Slip It In", "My War", "Beat My Head Against the Wall". Lots of good stuff in the early song writing stages. It's really cool to see what songs get made over on the final records. If enough people want the whole thing I can upload that to, but this is about drinking black coffee!
 This song is straight up five minutes long which is a good length for sucking in massive bong rips. By the halfway mark the cannabis will have set in, probably right in the verse. You will feel the seething Rollins puts out during this mid-paced dirge. Not that Dirge. It still has that 'Flag punk beat that you can HB Strut to, but is obviously more influenced by Sabbath and ZZ Top at this point and not as much punk. There's even a solo that's not raging shred. And for lots of cannabis users, this is exactly what they want. So load it, rip it and drink some coffee.

Drinking black coffee, black coffee, black coffee, staring at the wall