Carved Out

  The best part of being back in the shitty part of Ohio that I was in is that I got to see some close friends of mine all the time. The dudes I would hang out with when I was a kid and still living in houses with a band and going to shows non-stop. I still listen to some of the bands those dudes are in (Ringworm, what's up) and it's awesome to see them still putting out music. Two of those friends started a new band called Carved Out that is heavy as fuck. They sort of play crusty tough guy hardcore with metal as fuck vocals. I'd say their biggest influences are Tragedy, cannabis, d-beat hardcore, Cleveland and NY style hardcore beatdown parts. I love that the songs are short, fast and still balls heavy. Absolutely worth checking out.

Who fucking cares?
Scenery

This One's for Fun. It's Called "Never Surrender!"

  I have posted about Negative Approach before, quickly reviewing their 10 song 7".  It really is a nearly flawless piece of music history tightly rolled up in a tiny package to be unleashed upon the unsuspecting. Negative Approach then put out some tracks on a couple of comps and finally an LP called "Tied Down". On this sweet ass DVD entitled "Reproach DVD Vol. 1" you see the band evolve from a very early show(their first?) with only songs from demos to a full on wrecking force destroying venues full of young hipsters and punks. There are three full sets present, including a bonus song I talk about below, each showing off the bands growing strength and expanding repertoire of songs including favourites of mine such as "Can't Tell No One", "Pressure", "Live Your Life", "Whatever I Do", "Lead Song" and "Lost Cause".

 Here's a link to them doing a fucking amazing cover of "Never Surrender" by Blitz. They do this three different times on the DVD, and to be honest I NEVER get tired of it. I have a deep seeded love of covers, and this one fucking rules. I have this link starting at the cover because the rest of the video is a mostly poor rip of the DVD. When I watch my copy it's not nearly as bright and the sound is much better. You need to see this either way.
 Never say why, never say die, it's always worth another try"!

Also the very last song on here is ANOTHER cover. This time it's the Misfits playing a show in MI and having John Brannon(with hair!?!) helping them vocals for a rendition of "Can't Tell No One". Brannon's voice overpowers everything else that has mics attached to it, although you can hear Danzig in the backround during vocal pauses yelling "Go!" in true Danzig fashion.

Circle Pit of Defeat

  I got to watch Circle of Defeat(hopefully named after that Nasum song) play a show the last night I lived in Lawrence, Kansas right before moving back to OH. The venue was a basement called The Overlook and has all different kinds of bands play all the time. I saw Catheter there and Phobia played an aftershow there. My first interaction with the band was when I noticed the singer Alex had on a new Assuck shirt with the sleeves cut off. I commented how I liked it and he said, "I really like it a lot more now the sleeves are cut off". I fucking appreciated that. Of course there were only like 20 people there and we were all just hanging out downstairs and up on the porch drinking brews and smoking fine grade cannabis. I know this was also the very last time I got to circle pit. Circle of Defeat's set was almost over, they had the energy and I just had to grab Dustin and Sean to run in circles while the band played blasts. It's not often you get to initiate a pit with two close friends before you move twelve hours away, but this had to be done.
 Before moving on to the grind band I wanna say that Meat Mist was an older band I'd never head before that played fucking thrash and ripped it up. Beta Maxx is an 80's style hardcore band made up of ex Weekend Dad members that might have a future ahead of them. And my bros all in Methhorse. I saw them two nights in a row. One night with a bunch of shit bands at the Jackpot and then this night. Steven is a great drummer and  my bro Sean has been playing in doom and d-beat bands since he was 15. Noah is an old school punk active in several KC area bands(check out Sarah Palin's Retarded Baby, you won't regret it) while the singer Dustin is another close friend of mine. This is his first band singing but every show his voice gets stronger and his presence grows. I really hope these guys keep it up and do some sort of split with No Master. Along with Sucked Dry these three bands are the best in the KC/MO area in my opinion.
 Musically these dudes rip out Assuck/Insect Warfare worship grind. Not like Cellgraft however which is why I think they're interesting. Still a three piece but Circle of Defeat have a bass player so that low end is kicked up a notch. This style of hybrid grind worship is full of blast beats and energy, two very old stand by friends I rely on. They utilize fret manipulation like pitch harmonics and other awesome music theory tech stuff I can't even describe as I lack the knowledge. See "Incompetent Fools".
 The CD version of their most recent album "Victims and Vengeance" starts off with a combination sound clip
/song and then rages with a scream and blast beats, hardly letting up over the twelve and a half minute run time. There is some groove to appreciate and a couple slow parts, namely in the last track which has a stupid long run time even though it ends in a sound clip from Burn After Reading. I love the vocals on here. They are usually low with some high variations, not at all akin to Cellgraft. While both bands take the same formula they get out completely different versions of music. The screams here are sort of punky raw(see "Corporate Bullshit")  and I admit all vocal styling is quite death metal. They use rhythms and riffs that come off well thought out and I can see these 3 practice a lot. Maybe that's why each sound clip is perfectly placed to accentuate the grind. Oh and there's fucking pick slides. You never get enough of those.

Blast O Mat approved!

Bonus! Split with Orphans
Fuck the border!

And if you're crazy they have an Insect Warfare cover on their Myspace. But fuck Myspace.

Never A Cognitive Waste, Not A Post About Municipal Waste

 I got an e-mail today(sent yesterday) from a dude named Corey telling me he likes this blog and the bands I talk about. This makes me super pumped because it's not often people writing blogs get random affirmation e-mails. Unless you're Cosmo Lee. He said he found link from the other site I write on and has been reading mine for a while. I just wanted to give this dude some props for making my day start off fucking legit.
 I noticed at the end of his e-mail a well placed link to his band's Bandcamp page, so I checked it out. He plays bass with a dude in a band called Mental Waste.They remind me of a more hardcore influenced Nails. Less blasts and heavy as fuck riffs but plenty of circle pits and anger. I dig Bryan's vocals and lyrics as well. Bleak observations about humanity. Something interesting is that all the drums are programmed, AnB and Enemy Soil style. Corey and Bryan have been a band since February but haven't been able to keep a drummer due to time constraints and location. Mental Waste is from Califronia, but they're from the central coast which doesn't have a strong DIY scene and is full of kids in metalcore bands so finding a full time drummer has been difficult for them. They don't even have regular practices right now, but that doesn't hinder songwriting. Both dudes have been around a while in various bands (Corey is also in a doom band called Cold Mourning) so recording is an easy process for them according to Corey, "We take about 5 minutes to write some songs, then Bryan works on lyrics, we add vocals and we take a couple months to finish the recordings and get them mixed how we like." They've recorded four other songs and are just waiting to add vocals and mix them, but sort of feel a lack of impetus. So if anyone wants to help them do a 7" or a tape (I'm looking at you To Live A Lie and Last Anthems) get in touch with them so they can record more!
Get into their three song demo below.

Scorned for Ska

 Le Scrawl is not a band for everyone to listen to. They take thrashing, deathy, grindy metal and splatter it with bits of skas more surprising elements such as saxophone, organ and skanking 4x4 beats. This is for sure experimental music, but not in the vein most people think. There's no droning seven minute songs, no keyboards/synth/electro elements, no "atmosphere". Just grindska. Or skadeath. Or skagrind. Or thrashska. I really don't know what to call it besides enthralling and catchy as fuck. Could this be another case of music by location? Le Scrawl are from Belgium, which might have something to do with it. Wedged between France(prominent language in Belgium), Germany, The Netherlands and the English Channel with the UK to the North it makes sense where their influences come from. England was the start of the punky ska movement once it got exported from the Caribbean and Germany is a thrash/death metal Mecca. It all makes sense. I have no clue where their experimental impetus came from but man am I happy they found it.
 The thirteen songs presented here on "Eager to Please" start off with energetic metal that bounces and makes you wanna skank until the death metal slaps your face again. The first six songs do really well at alternating tempos and moods with middle songs slowing down to more mid-tempo and letting the organ and horns really shine through. The first three or four times you listen to this you'll ask yourself and those around you "Is this a joke? Are these guys for real?" The answer is fuck yes. It's for real. You probably will chuckle at what seems to be absurd, but you'll eventually go "Oh shit this is really good!". I personally love the metal riffs with guttural vocals that transition into the ska parts that are more light-hearted, with the sick guttural vocals. This interplay of atmosphere gives me the same feeling power-violence bands that play blasts into breakdowns give me.
 So do yourself a favor and get adventurous and experimental without listening to Boris.

"One by one, you will die"

This Song is Called, My Mom Hits Harder

American Nightmare is kind of one of those hardcore bands you either love to death or just feel indifferent about. Wes' lyrics aren't usually my favourites to read, but listening to them is rather fun. The singing along makes it too enjoyable to care and they wrote a few really fucking catchy songs.
Something that I appreciate about AN/AN/GutG is how original their sound was. An obviously contemporized (for the time) version of classic hardcore punk. Plenty of Black Flag, Minor Threat and Bad Brains influences to go around. This amalgam has become fast, energetic no frills hardcore that's full punk. Lots of punk. Tons and tons of gang vocals, circle pits and stage dives. The crucial stuff.
 Oh, and what about the fucking awesome Cro-Mags cover they do. By far one of the best Cro-Mags covers ever.
Another interesting point to bring up is how Wes has one arm! I'm not talking Rick Allen one arm, but he's missing like a quarter of his arm, mid forearm to hand is gone. Long gone. I have no idea why to be honest, but it didn't stop him from going completely nuts live. 

Full discog here
On a side note, Warwounds(Fuck America) is a fabulous blog with tons and tons of hardcore discographies. You're missing out on some history if you don't read that site.

Fuck Electrons, Protons Are Posi!

 I've already posted their split with The Waste, so here's Crucial Unit's first 7". 
"Premium Iced Tea" starts off with shrieking, wailed, frantic vocals over sick thrash-punk-core. Blast beats and circle pit inducing drums with funny and well written lyrics. Crucial Unit is sort of like crossover and sort of like thrash metal and sort of like fastcore. This style is very much a product of their geographical environment. The Bay Area, Oxnard, LA, Hunington Beach, etc. all have sounds very much regional depending on local culture, economy and the other stuff that makes punx angry. The first song presented is one with old school hardcore mentality, writing a song with the band name in the chorus. Most good hardcore bands end up doing this for some reason.The Unit also uses another hardcore staple that Spazz likes to point out, the use of  "GO!".
The band has all their material available on their website, which is fucking awesome, and DIY and punk and more cool then most bands that aren't Cellgraft. You see all kinds of bands with songs to stream on Myspace, Facebook, Bandcamp and all that cool shit but not many straight up give all their material away. This kind of promotion only gives me desire to actually purchase their albums. "Premium Iced Tea" has an awesome cover for example. Besides the metal text denoting the band name and the required speed to play the 7" it appears to be exactly what the record title tells you it is. Punks being clever? Never happens, certainly not now.

Baby. I don't wanna make out, I just wanna CIRCLE PIT!

Reproach Vol. 666

So if you're unfamiliar with this band, you need another serious lesson music history. This 7" came out way back before I was born, in 1982 and is a preamble to all the bands you love today. Dropdead (their biggest non-Siege influence), Knife Fight, Spazz, Haymaker, Chokehold, XBrainiax etc. Shit NA and the Misfits influenced each other immensely. These guys are one of those super proto bands that you don't even realize the number of bands they influenced. Brannon gave hardcore it's demeanor for Merlin's sake. Bald. ANGRY. Insightful. Powerful. Jamey Jasta ain't got shit on John Brannon. He even uses a lot of tough man talking instead of a yell or scream to get his point across in another fashion instead of just blitzkrieg.
Negative Approach is equal parts Blitz, Sham 69, Black Flag and Misfits. One could cite DC band also, but I hear it less than the Necros or Meatmen. Negative Approach fits the aesthetics(music and lyrics) of the aforementioned bands and not the latter. One could argue this, but why would they? Regional hardcore sounds different for a reason. Besides all the comparisons one uses these guys play fucking fast, pissed hardcore with usual one minute run times. There are some grinding examples("Pressure", "Chaos"(not on this 7")) and some bad examples("Nothing"). And in all honesty "Nothing" is the only song I never listen to as it's the last one on side A right before you flip it and crank up "Fair Warning". This rager starts ripping with the rambunctious jam "Can't Tell No One" which is a fucking anthem. Try to not pile on everyone in sight grabbing the mic. "CAN'T TELL NO ONE! WHAT TO DO! CAN'T TELL NO ONE. WHAT TO DOOOOOOO!!!!!" From the first riff you just want to fly off the hook and circle pit like a mother fucker if you're not singing along. Or do both! "Sick of Talk" has an americanized d-beat rhythm section. "Why Be Something That You're Not" is mostly sick mosh riffs. Try not to mosh if a band ever covers it. I dare you. "Lead Song" is another anthem full of gang vocals and sing alongs. Much more punk then hardcore on this song. "Negative Approach" and "Whatever I Do" are two more anthems with fucktons of singing along. The energy in the last two minutes of this record rivals most full-lengths.
Once again the lyrics here are great. They're simple, emotive, to the point and easily singable. I love the things they had to say. Even at 25 the words of a 19 year old ring more true to me then Dostoyevsky ever could. Sorry Andrew. Well, every song but "Nothing". But really, nine out of ten is perfect for a 7".

"I can't take this,
PRESSURE, PRESSURE, PRESSURE, PRESSURE!"
Too many things are too extreme
There's too much shit, too many schemes
It never makes sense, it's just a hype
Forget about it, live your own life

PRESSURE PRESSURE PRESSURE PRESSURE
PRESSURE PRESSURE PRESSURE PRESSURE!

Pretty Little Flower is not exactly straight thrash, but sick and fast nonetheless. There's lots of variation on here which is great because of the large track selection. Full length albums, especially in genres that easily become monotonous, tend to get boring and need to be mixed properly to insure repeated listens so that you don't miss the real gems.This is a basically a discography of the band up to the CDs release which explains the long track list.
Having ex-members of Insect Warfare is no small feat, so these dudes really up their game. Think "Endless Execution..." era IW with that heavy thrashy Razor influence. Add some DRI, Discharge and Napalm Death as well as the bands covered, and you have an easy foundation of thrash grind. Speaking of covers, do enough bands really do sick Repulsion covers? The answer is no. These guys, ND and Nashgul. I digress. Circle pitting thrash is what we're talking about, no proto gore/grind/death. Most all the songs are fast and very hardcore influenced grinding thrash and I like it. Dig in.

Utter and complete, grindcore annihilation.

Every Woman A Mistress of Pain

Another classic thrash album from the late 80's in San Fransisco, CA. Even today amazing bands flow out of the Bay Area. Here's an old standard to ape from. Death Angel.
I have to start with the awesome album title on here. It's so fucking metal. "The Ultra Violence". Tell me that's not one of the best of the era. Sound wise they play standard fast thrash. The standard line up had four Philippine cousins. Big fucking surprise, right? A great band made up of Asians. And from California? Never saw that one coming. But I digress. These guys incite so many hair whips and so much head banging. Honed thrash with yelled then fucking screamed vocals. Nut wrenching but awesome. Death Angel has obviously taken pages from the Priest/Maiden book but made them contemporary for their time.Fast drum beats and shredding, wailing guitars. Of the eight songs, three are instrumentals, or instrumentals with easy to figure our lyrics but each is obviously crafted with care and isn't super sloppy like a lot of bands. Or maybe that part gets lost in the screams, shrieks, wails and feedback. True punk rock style right there.
I found this cassette a few years ago and I've been enthralled since then. I found it sitting in a game store for like two dollars. That loser had no idea what he had. I also found a copy of the Misfits "Earth. A.D" that day. It was a good one. Ice Cube had nothing on me.



KILL AS ONE!

Still Cyco...After All These Beers

Preface: I've not had any beer today yet. 
Highly regarded, and well deserving of it, Suicidal Tendencies are one of the eptiomes of crossover/thrash. Blending perfectly between metal and hardcore punk they spawned too many bands to name, but here are some big/and or good ones:  Metallica, Anthrax, Thrashin' In the Streets, DRI, Red Hot Chili Peppers, Pantera, Cryptic Slaughter. Fuck, the list goes on. Scott Ian once said Anthrax was always trying to sound like ST because if they did then he knew they were an amazing band doing something right. What else is there to say?
This gem was mostly a re-recording of their self titled album released ten years earlier. It has three additional tracks, all of which rule. The songs on almost the whole album are standard length, 2-3.5 minutes, and somehow it's usually fast and enthralling. I pretty don't get bored with any song on here except "I Saw Your Mommy", fuck that song. It's funny or whatever, but too slow and hair metal. Anyway, Rob Trujillo is on here and he fucking rips up the bass riffs. Once again, I point this out because it's crucial. But repeated listens will reveal why he's in the "biggest" metal band around right now. Makes sense though as Muir seems to be the only one invested in the band now. But Trujillo and everyone else shreds on here. Mike Muir and co. invoke cholos stage diving, elbow dropping everywhere, just like the pictures inside my cassette.
 This is for sure one of those bands you wish you could have grown up around, going to their shows. Legend and lore weave tales of insanity in small LA suburbs much like that of Black Flag. Suicidal Tendencies got much more popular however, having two videos made from this album. One for the aforementioned shit song, and one for "Institutionalized". Both the video and song rule. Some other favourites are "War Inside My Head" with it's sick opening and superior singabillity. "Memories of Tomorrow" for....well I'm not going to list these off because I honestly like all but like 1.5 songs on here. Shotgun some beers, smoke a joint and start thrashing to the oldies!


Two Sided Politics!

March Thrash Madness!

 With lots of thrashing happening here, I might as well keep it up. I'm exclaiming this to be March Thrash Madness! I'll try to do only thrash and crossover all of March. I even had this INSANE inclination to wait until March Madness hits and taking the final (x) teams and posting bands from their corresponding states. We'll see how lazy I get and how many drugs I can do first. Haha. But onto the music!
 Here's a sweet split from Municipal Waste and Crucial Unit. Municipal Waste you should be quite familiar with since Dave Witte has played drums with them for a few years and Municipal Waste were fore bearers of that "modern thrash revival" we had. Thrash never died, it just went back underground. Regardless, they're a super D.R.I. influenced crossover style thrash band. That's a good pick up reference, but I hear a lot of hardcore influences on here. A couple of breakdowns even. Not slams, this isn't death metal.  Fast, sloppy drum fills. Fast talk/yelled lyrics. Fast punx guitar parts. These guys are the line between fastcore and crossover. A few more BPMs and they cross that line. The newer material is longer and much more thrash-tastic. I prefer the shorter crossover songs on their early material a la this split 7". I really love the samples they use as well. Some people aren't too keen on them, and they're missing out. Really adds to the atmosphere for this band.  "Born To Party" also appears on the "Art of Partying" LP in a varied form with lots and lots of gang vocals. I also want to note the sweet band Poser Disposer got their name from MW. Cheers.
 Crucial Unit play short, fast thrash. Straight up. Their singer should maybe be in a power violence band, but it's interesting over the thrash. One thing making them interesting is the Macabre influence. It's much more prevalent here then on the "Moshzilla" 7". I just don't hear enough Macabre in sweet bands. The other non-Macabre aspects of their music are fucking fast and chaotic hardcore punk thrash. Crucial Unit like Municipal Waste have fun lyrics but some of their tongue-in-cheekery is done with political motivations. I love this lyrical style because it doesn't get boring. It's like those lines you quote in movies over and over before your band samples them.


"It's circular. Round. Circular. Circle. With the music. The flow."

God Is Fake, Wrestling Is Real

Here's a fucking amazing hardcore band from Cleveland that ISN'T a Holy Terror band. It's mother fucking Gordon Solie Motherfuckers!. These guys are the much better version of the Ultimate Warriors. While UW play power violence with wrestling as their gimmick, GSMF just play awesome fast hardcore. They have ex-members of 9 Shocks Terror and Face Value among others. Tony Erba is obviously the famous guy here. Affiliated with Victory Records scandals, Integrity worship and even featured by other bands, like Charles Bronson. They're also infamous for ridiculously insane live shows known to feature many things that are not bodies flying through the air. I never got to see them live(even though they're doing a re-union show in Clevo soon, sad face) but it's legendary. They like the other great bands from the city of porn and rust they're banned from lots of clubs, have shut down shows and entire festivals and have been escorted by police multiple times.
But how do they sound?"Power Bomb Anthems Vol.1" is fast, shreddy, high energy hardcore with comedic edge and lots of gang vocals. All songs have prevalent bass riffing and popping snare rolls alongside the vocals and guitars. Mosh filled Lo-fi hardcore for the win.There's a Warzone spook on "Ghost Cry of Betray". You'll lol. There's also some OH lingo in "Parma Uber Alles" that most of you won't get, but I find it hilarious. There's a Johnny Moped cover on here too, "No One". But fucking Merlin damn it that song sucks. I hate the original and the cover. Why would they do that to us?
The lyrical matter is top notch of course, and about several subjects of interest. My obvious favourite lyrics being in "Tears of A Clone" and "Bought & Sold". Partially for ripping on Paint It Black and Jello Biafra. No one is safe from chair shots to the head! Erba spits his words sounding sort of like Mike Ski as a reference, but way more awesome. No offense Mike. Erba is just pissed while you're not.

Three chords in a cloud of dust, three chords in cloud of dust, three chords in a cloud of dust! In DIY I fucking trust!

Ello, my name's Bruce.

It's not summer yet but it's time for some kind of pick me up from the cold weather. Shark Attack will easily pump you up into circle pits to get the heat kicking.
These guys are from PA and keep up that area's tradition for raging hardcore. These guys are way more old school then a lot of popular bands from that area. Those other bands are way more metallic and less punk(Earth Crisis, xDisciplex A.D., Brother's Keeper, etc.) Shark Attack have a huge youth crew sound with slightly less positive lyrics. And their singer is fucking pissed. Big surprise there, right? But musically think Youth of Today, Antidote, Negative Approach, Chain of Strength, fast Cro-Mags, Bad Brains. Just good, fast hardcore. An older version of Ceremony is a good reference point. I mean, if Ceremony listened to less Black Flag and only played fast.
Includes a really awesome Antidote cover, though the lyrics are "questionable". I don't really agree with that statement as I don't find this song overtly xenophobic or racist. This is art and about freedom of expression. I don't support overt racism but I will support someone's right to say what they feel.

We're shark attack we're on the attack and we're in your fucking face. WE'RE IN YOU'RE FUCKING FACE!

Almost Focused

Bones Brigade is a ripping fast hardcore band from Boston, Mass that plays songs about skateboarding, hanging with friends(and all that entails), skating, video games, quandries of life, skateboarding, the scene and what goes with it, skating and getting wasted. My favourite track from their S/T EP is opener "Never Meant Much". It's three minutes long, but still rips and shreds the whole time, much like the shorter songs following it on the EP. Bones Brigade plays fast skate influenced hardcore. The only thing I want to do during the EP is circle pit. Quite fast. It's all circle pitting drums, shredding guitars a la Black Flag and tons of sing alongs parts. This is all very conducive to stage diving and head walking. I would totally love to see these guys live because of all the ridiculous energy they'd put into the crowd for use. The amount of fun had would have to be illegal. I have to warn you there is some melody in the guitar, but it's forgivable for the rest of positives this band has going for them.
I also have their "Focused" 12" LP on Coalition Records(from 2004). It's gray marbled vinyl and contains fourteen more raging tunes from these dudes. Songs are much the same with a slightly longer average run time then the EP. This is one reason EPs, 5-10" and splits are such a good idea. A large portion of a band's fan base prefers less songs with most being of very high quality so they always come back wanting more. Is "World Extermination" a great listen front to back? Yes of course! Are all the individual 7"s comprising it more enjoyable listening experiences individually? Ninety eight percent of the time yes.
They also have at least two more CDs and another LP. One CD is a comp of 7" songs and demos, one is a repress of their 10" and they have a debut full length LP as well.




"There are few certainties in life. You see people losing their jobs, you see people losing their money, and you see very little stability. But, some things never change. Ninjas are awesome and hardcore played at light speed rules."-Bones Brigade

Sunshine and Circle Pits

Another amazing band (ironically from MA, and FSU associated) that gets me stoked it's summer is Colin of Arabia. These guys play stripped down, pissed hardcore that easily gets you raging. And these guys pour their hearts on their sleeve in multiple aspects of the band from the lyrics to the numerous covers they've recorded showcasing their influences. Misfits, Black Flag, Slapshot and Bad Brains which I left off as it's the worst Bad Brains song ever. I mean really, "Regulater"? Come on! Sort of wish they'd have done a Cro-Mags cover considering their use of Cro-Mags riffs, the breakdown in "War On the Poor" being a perfect example. It's the "Crush the Demonic" riff with some different words, but it ends up being sweet. Lots of energy to invoke stage dives and vicious circle pits with kicks to the skull.
No complete albums on this one, just all the random songs that make me rage.

Everyday I walk the same way home
Every walk so fucking alone

Sunshine and Circle Pits

Despite what naysayers think (brutalalex), Bane is to me one of the most relevant and just awesome hardcore bands from the 90's. I guess I still believe some bands have a message, and some of those sXe revival bands are fucking good. Bane, Carry On, Shark Attack. All great stuff. Some of the Bane guys have also been in Converge, but have since moved on to smaller and better things.
Since these guys play hardcore I'm not to going to be eloquent, instead I'll continue using words like energetic, fast, heartfelt, meaningful and I'll mention how fucking incredibly ugly Aaron Bedard is. But man I love that guy anyway, his voice and overall message really get me every time. It's moving stuff. The lyrics fit all of my above adjectives as well, and with hardcore that's usually a big deal since the music churned out gets monotonous easily. And Bane is for sure one of those bands you need to see live because you get to pile on top of kids to point and sing a long. Every memory I have of their songs invoke happiness and fun, which are thoughts one can never have too many of.

REASONS NOT RULES MAKE US STRONG!

Sunshine and Circle PIts

I'm sure a lot of other people feel the same way I do about this time of year. No more cold weather jackets and pants. No stupid hats or gloves. We can wear t-shirts and shorts showing off our tough ankle tattoos. And even more important bands tour during the summer. A lot. The average moderately known touring hardcore band might play 100 shows in 120 days or more depending on how much DIY they have in their veins. Just think of how many stage dives, circle pits, high fives, head walks and finger pointing sing-a-alongs just one band incites over the course of a tour cycle. Then just imagine how a fucking sick, original sounding band like Righteous Jams would turn it up. Hardcore in itself is no frills, so the little bits bands add make it refreshing every time they play. And these dudes play energetic simple hardcore with a rock and roll feel. A lot like Black Flag, but less Sabbath more punk and some truly sick bass riffs. Which is something hardcore is bereft of sometimes. They're also from Boston so the lyrics have those awesome hardcore colloquialisms I love. And the lyrics themselves are straight forward and honest, not full of confusing analogies that can be used for multiple meanings. I can say that I read the lyrics of every band I listen to, and sometimes I don't care what a band is saying but there's something about these lyrics I just really love. I think it's because Joey C writes lyrics just like I would.
Even though Righteous Jams hasn't really done anything since "Business As Usual" in 07/08 which really bums me out. They've always been one of my favourite hardcore bands and I would love to hear all kinds of new output. But I'm posting the first LP they did called "Rage of Discipline" on Lookin Out from 2004.

Here is the full track listing, but I left off a couple of songs in the download because I didn't like them. What now?
1.Rage of Discipline
2.Iron Mind
3.Green Eyes
4.Bust It
5.No Glory
6.Small Fish
7.Invasion
8.Scream and Shout
9.Where It's Due
10.Righteous Jams


"I don't wanna listen to you scream and shout,
I don't give a shit what you've been talking about,
all your little mind games are bummin me out!"

Consider this one of (more than one) posts about summer hardcore happy fun time.