Thursday, March 4, 2010

Pulverizing Hate Mongers

The show was fucking sick, as expected. Didn't stay for Misery Index because I didn't want to walk home. Also only got to make small talk, no cool questions. Sorry guys.
But I also saw a super gnarly local band called No Master. I bought their demo and will post it first chance I get.

Wednesday, March 3, 2010

From Soft to Hard

Ringworm/Terror split 7"
This guy came out in 2003, back when Terror were relativly unknown and Ringworm was still just blip on the massive Victory radar, though thankfully Deathwish Inc. pulled this split together. It's the second part of a four part series dealing with the four card suits. They've done three so far, the heart still to be released. This was the second 7" (the first having Hope Conspiracy and Suicide File, the third having First Blood and Blacklisted(originally supposed to be Integrity, lucky Blacklisted)) with two pressings. 4,000and 1,000 for the second pressing. I have four copies, two randomaly fell into my possession and two I sought out for purchase. One orange(500), clear(1500) and red(500) from the first set and I have an uncut blue record(325) from the second pressing. In the matrix on the Terror side it says "I need maximum output-more stagedives!!!" and in the matrix of the Ringworm side it says "For a good time call 804-306-6134...", which I did call once but the guy had no idea who Ringworm was, and I was nervous because I was like 16. Anyway, the hardcore.
Terror play that tough guy, self-affirming hardcore that got big(again) around that time. Scott Vogel, who I love as a singer, really steps it up when his band writes short songs. The "Lowest of the Low" EP shows this. Unfortunately the two songs on here don't hold up to the EP, and can in no way hold up to Ringworm. I just find them boring and too slow paced. Not to say I don't like Terror, just saying this was their weakest output until "One With the Underdogs".
The Ringworm side however is fan-fucking-tastic. Raging Clevo style hardcore played fast and hateful. These two songs also appear on the follow-up full length "Justice Replaced By Revenge" that came out two years later, obviously with a different production. I believe the two songs posted are from that CD, sorry guys. The 7" versions are better in my eyes.


"Seeing red, until I finally reach my THRESHHOLD!"

Tuesday, March 2, 2010

From Soft to Hard

Hatred Surge/Insect Warfare split 7"   
I found my copy of this online for like eight bucks , which I thought was a steal. I'm pretty sure mine is a second pressing (this originally came out in 2006) as the cover is white and the vinyl is transparent green. A few notes about the packing. The artwork on the front and back is SICK, Daniel Shaw is the man. And super big ups to Hatred Surge for giving Poser Disposer a shoutout. Those dudes are awesome. I found some of their 7" (which I own) online, if I find the rest I'll post it. Poser Disposer play a thrashy-grind, maybe akin to that of Macabre, which I hear in so many other bands I love. But I digress.
Hatred Surge is some Despise You style power-violence/grind that while awesome in it's own right, but has a hard time comparing to fucking Insect Warfare. Anyone unfamiliar with them with quickly learn they play Napalm Death to the extreme style grind fucking core. Rahi's demonic vocals and Beu's outrageous static guitar create a pummeling four minute orgasm. Obvious highlights are "Reanimated Horde" and "Hurricane Death", the latter having a tremendous amount of groove.

The correct track listing is also as follows:

1. Rot
2. Out of My Head
3. Pile of Shit
4. Funeral
5.Old and Tired
6. Farce
7.Negative Appeal
8. Obscene Creed
9.Reanimated Horde
10.But Now You Die
11. Hurricane Death

"Cut up the skin, drink from the vein. Obliterate the body, but the brain must remain!"

Saturday, February 27, 2010

Built to Blast




I'm going to see Misery Index with Magrudergrind on the third and I'm considering asking the Magrudergrind dudes some questions. Anything in particular you guys want to know?

Friday, February 19, 2010

Expect link less posts periodically. I still don't own a computer but I can post from my iPod.
"If you will it dude, it is no dream."-Walter Solcheck paraphrasing Theodore Hertzal, State of Israel Address.

Sunday, January 10, 2010

Sunday Songs to Do Bong Rips

Since I've started listening to 324 I find myself always listening to the 3-Way Split they did with Discordance Axis and Corrupted or this album. "Boutokunotaiyo" is the full-length I would expect this band to evolve into from their 7" and split. It's the same fast, aggressive, heavy grind-crust from before, just amped way up. The energy and urgency went way up on this record. I wish I knew what they were upset about but but Masao just rages in Japanese the whole time, which makes it all the better. His vocal patterns are all over the place here with my favourites being where he just fucking yells at you non-stop the whole song. Check out "Swinging Skull" as a prime example. Short, fast, loud and fucking aggro at all times. Just the way I like it.
I have to admit that I only uploaded the first half of this album for brevity, but this is an intense 11 minutes. And "Broken Clock" is already on the 7", so you don't need that twice.

Friday, January 8, 2010

Sunday Song to Do Bong Rips

I think the best way to start a new year and it's correlating first post is with a rad cover. So I'm giving you guys the Insect Warfare version of "New Rotation". For me it's a fabulous song title to accompany the beginning of a new Gregorian calendar cycle. I have to say the best part of both version of this song are the blasts at the very beginning and end of the song. Short exhibitions of obscene speed when they are highlighted like this always have a place in my heart. This is the stuff that makes grind art. The bits that make you warm inside and light in the head.

"Gulf Coast/Nippon Invasion"

Friday, December 18, 2009

Pre-Grind, Proto If You Will

I keep seeing all these awesome posts about grindcore's fore-bearers; Napalm Death, Siege, Carcass, Deep Wound, Repulsion. These outline the bases of grind's lyrical outlook, vocal style, and guitar and drum patterns (the fucking blast beat for one, thank you Mitch Harris). And a band I think gets overlooked way too much is Cryptic Slaughter. I first heard "Convicted" a couple of years ago and I was mind fucked. It had all the rage and energy of hardcore with very political lyrics and it's played at hyperspeed, even for today's standards. These are some of the fastest 4/4 beats you'll ever hear, and then the blasting. Oh the blasting. It's the kind of 1/1, snare/high-hat blasts Dave "Grave" plays. I guess most people would say they're not real blasts, but it's still fast as shit drumming that's produced just the right way to get the most impact out of them. In fact the whole rhythm section is up front in the mix and I'm glad because these bass riffs are sick. Then it's all topped off with snarling, snotty punkish vocals and a sleek guitar sound make these songs true ragers, worthy of the one man circle pit.
The stand outs here to me are "M.A.D.", "Sudden Death", "Lowlife", and "Rage to Kill" with most having anthemic chants followed by frantic thrashing. The Slaughter also put out three more LP's, "Money Talks" being the only one I've heard. The Wiki says a lot of people like that record better, but fuck them. It's a somewhat slower more groove filled sound and I'm partial to the exuberant first LP.
It's rather interesting to think about crossover influencing grind as well as thrash. Or at least the Leeway/D.R.I. version of a mid-paced hardcore/metal hybrid with long songs and more personal social conscious lyrics. Municipal Waste and Crucial Unit are probably the best example of a contemporary Cryptic Slaughter influence but taking the thrash lyrics and ideology, as well as a healthy dose of AWK i.e. getting fucking wasted and other fun goofy shit like that. Being name checked (in covers) by Napalm Death and Spazz should help support that idea.

Random Slaughter Fact: Bass player Rob Nicholson played as Mr. Blasko for Rob Zombie and replaced Rob Trujillo for Ozzy Osbourne. Is it ironic one crossover legend replaced the other when he left to play for a band influenced by Cryptic Slaughter and the thrash scene they helped spawn?



"Children of today of the killers of tomorrow, nothing in the future except for pain and sorrow!"

Wednesday, December 2, 2009