God Is Fake, Wrestling Is Real

Here's a fucking amazing hardcore band from Cleveland that ISN'T a Holy Terror band. It's mother fucking Gordon Solie Motherfuckers!. These guys are the much better version of the Ultimate Warriors. While UW play power violence with wrestling as their gimmick, GSMF just play awesome fast hardcore. They have ex-members of 9 Shocks Terror and Face Value among others. Tony Erba is obviously the famous guy here. Affiliated with Victory Records scandals, Integrity worship and even featured by other bands, like Charles Bronson. They're also infamous for ridiculously insane live shows known to feature many things that are not bodies flying through the air. I never got to see them live(even though they're doing a re-union show in Clevo soon, sad face) but it's legendary. They like the other great bands from the city of porn and rust they're banned from lots of clubs, have shut down shows and entire festivals and have been escorted by police multiple times.
But how do they sound?"Power Bomb Anthems Vol.1" is fast, shreddy, high energy hardcore with comedic edge and lots of gang vocals. All songs have prevalent bass riffing and popping snare rolls alongside the vocals and guitars. Mosh filled Lo-fi hardcore for the win.There's a Warzone spook on "Ghost Cry of Betray". You'll lol. There's also some OH lingo in "Parma Uber Alles" that most of you won't get, but I find it hilarious. There's a Johnny Moped cover on here too, "No One". But fucking Merlin damn it that song sucks. I hate the original and the cover. Why would they do that to us?
The lyrical matter is top notch of course, and about several subjects of interest. My obvious favourite lyrics being in "Tears of A Clone" and "Bought & Sold". Partially for ripping on Paint It Black and Jello Biafra. No one is safe from chair shots to the head! Erba spits his words sounding sort of like Mike Ski as a reference, but way more awesome. No offense Mike. Erba is just pissed while you're not.

Three chords in a cloud of dust, three chords in cloud of dust, three chords in a cloud of dust! In DIY I fucking trust!

Bully Moshpit

I'm re-upping the HoD 10" because it's fucking rad and I re-wrote some of my old post. Can you dig it!

My Love, My Way

The album "Witness" is one of the best hardcore(et al sub-genre associated) records of the 2000's. It's been incredibly acclaimed by everyone under the sun. Someone said it's the "greatest hardcore album of our generation". Think about that. This is my "Damaged" or "Out of Step" or "Dag Nasty" or "Petitioning the Empty Sky". Here's some other quotes from the Wiki of this album:
"Witness breaks boundaries and surpasses dreams hardcore has not even had yet. It is eloquent and beautiful in every way. You will get choked up the first time you hear it."
Reviewers for Punknews.org were the most blunt with their praise, simply stating that "if every album could be like Witness, then maybe music wouldn’t suck as bad is it does right now."
This album is that good. I don't give a fuck if you don't like hardcore, especially more mid-paced, dissonant, expressive and passionate hardcore. Everyone in the band plays incredibly well and once again lyrics reign supreme. Jeffrey Eaton blow Darby Crash out of the water when it comes to poetic lyrics. This guy knows what you're feeling deep down whether you know it or not. Every second I listen to this CD I feel like I'm fifteen at my first shit hole bar or basement show with a bunch of sweaty people screaming every word they can as loud as they can until they go hoarse. I can see the band playing, their singer amping the crowd, sharing the mic, diving. Kids everywhere are climbing on top of each other to get on the stage, stage diving, finger pointing. Tears start streaming down our faces because we all feel the same thing. We have collective empathy. The words pour out like they were our own and everyone lets go of everything inside.
Every time I hear this CD, that's how I feel. It all comes rushing back and gives me goosebumps.
All the albums I mentioned are starting points, I especially feel Dag Nasty is a big one. Jacob Bannon is a great lyricist to compare Jeffery Eaton to but the bands don't find much resemblance beyond that. They do however share another relationship, this record being put out on Deathwish Inc. and Jacob Bannon doing the artwork and layout. Kurt Ballou also recorded this at his Godcity Studio in surprise, Massachusetts. Figures. Even the best bands have to go through MA.
My favourite songs are "Martin Atchet", "D.E.AD. R.A.M.O.N.E.S", "Young Man On A Spree" and "Hair-Raising Accounts of Restless Ghosts (AKA Hell is for Heroes, Part 2)". It's so hard to pick a favourite of those. There really is none since their all such solid song. "D.E.A.D R.A.M.O.N.E.S." is a anthem that demands pile-ons and sing-alongs and finger pointing.

When you're 16 you don't know what forever means.
When you are 23 you couldn't be more sorry to say.
That after all this growing up together all the good has gone away.
Sometimes the boys that should be yours best friends become strangers with familiar faces.

Ello, my name's Bruce.

It's not summer yet but it's time for some kind of pick me up from the cold weather. Shark Attack will easily pump you up into circle pits to get the heat kicking.
These guys are from PA and keep up that area's tradition for raging hardcore. These guys are way more old school then a lot of popular bands from that area. Those other bands are way more metallic and less punk(Earth Crisis, xDisciplex A.D., Brother's Keeper, etc.) Shark Attack have a huge youth crew sound with slightly less positive lyrics. And their singer is fucking pissed. Big surprise there, right? But musically think Youth of Today, Antidote, Negative Approach, Chain of Strength, fast Cro-Mags, Bad Brains. Just good, fast hardcore. An older version of Ceremony is a good reference point. I mean, if Ceremony listened to less Black Flag and only played fast.
Includes a really awesome Antidote cover, though the lyrics are "questionable". I don't really agree with that statement as I don't find this song overtly xenophobic or racist. This is art and about freedom of expression. I don't support overt racism but I will support someone's right to say what they feel.

We're shark attack we're on the attack and we're in your fucking face. WE'RE IN YOU'RE FUCKING FACE!

Scared of Naked People, Not a Post About Weekend Nachos

Ceremony is from California, like a lot of good hardcore bands. Their hardcore is a little more structured and old school feeling on this EP however. This mama jama came out all the way back in 2003 and set them full steam ahead to record with Bridge 9.
There's an alternation in songs. Slow, building, brooding tracks with the strain and tension of Black Flag then a fast d-beat ripper tearing your face for a minute like Discharge. You get three of each, opening with the slow builder. You also get a Negative FX cover which makes sense. Ceremony sounds like the perfect blend of Black Flag, Negative FX and Motorhead and Discharge. One thing to note is how prominent the bass is in the production.
Ceremony has some newer material I haven't really heard any of. I did hear one or two songs off their second full-length and they rip. It's called "Still Nothing Moves You", great title by the way. They put out a LP called "Ronhert Park" last year as well, but I've heard nothing from it. It's apparently named after the city the band resides in.

"Maybe I'll feel like a man, when I do what they tell me to."